Look at that! I’ve jumped seamlessly from Kick-About #28 to Kick-About #36 without a single kick!
I was busy there for a while. By putting just about every other thing to one side, I have finished my picture book project for Allen and Unwin, and I’m very excited that I will have an advance copy of When You’re Older in my hands in late November this year. So Hip hip hoorah! But more on that another day. This rather hasty post will be about surrealism and the language of dreams.
The theme is Sheila Legge, seen above in costume in 1936 as a ‘Surrealist Phantom’ in Trafalgar Square to promote the opening of the 1936 International Surrealist Exhibition … Should I call it a costume? Because she is a living work of art, the living embodiment of a Salvador Dali painting Printemps nécrophilique.
I’m sure I’m not the only one to be having vivid dreams and nightmares at the moment. Melbourne is currently still in lock-down while we wait for enough people to be vaccinated against Covid-19 to allow us to step out without swamping hospitals and losing many more lives. Unlike so many others around the world who are facing real danger and hardship, I am here, at home, living in a kind of paradise with a partner in full time work, a roof over my head, a vista of green outside my windows and the company of my family. For all this I am truly grateful. Nevertheless the night time world of my dreams is a wild one – a Rousseau Paradise, rather than a Fragonard. This was even before I started re-reading short stories by Angela Carter and Leonora Carrington… Ahem.
So there’s a coincidence! Just when I was reading the short stories of Leonora Carrington, who met Max Ernst and became involved with the surrealists in 1937 at the age of 20, the Kick-About veered into the very same territory with Sheila Legge.
All I have to offer the Kick-About today is the beginnings of a… something… featuring some bird-headed, flower-headed women. They will possibly eat one another. I may add colour if there’s anything left of them by tomorrow. (growls softly)