Tag Archives: costume

Imago Mundi

The Imago Mundi web site says:

Art is born from a complex direct relationship with its surroundings and culture.
Imago Mundi’s ambition is to unite these diversities of our world in a common frame of artistic expression.

I am lucky that a friend opened the door for me to participate in this wonderful international exhibition. (Thanks Juliet)

Here is my tiny canvas for Imago Mundi.

women in politics judywatsonart 2015

‘Seen and not Heard’ (dedicated to Gillian Triggs)

I’m endlessly fascinated with vintage cabinet card portraits, so this came out of that space, and also from my interest in the cladding of women under layers and layers of ornament. There is a drawn woman under the coat. It’s a strange thing to add layers of clothing to a drawn woman and slowly hide her from view. (Something I explored earlier here.)

But I was also thinking of Professor Gillian Triggs trying to be heard in the Australian Federal Government arena as I made this artwork.

It’s made with acrylic paint, indian ink, felt tip, watercolour and collaged book pages on a very small canvas.

scraps of girls who will go somewhere else

scraps of girls who will go somewhere else

#IStandwithGillianTriggs

52 Week Illustration Challenge – Week 7 Watercolour

Aaah, the perils and pleasures of spontaneity and ignoring the rules!

Woman mourning the loss of a Giant Pomeranian

Woman mourning the loss of a Giant Pomeranian

Having decided to do an illustration onto plain paper (gasp!) instead of a printed book page, I grabbed a fine liner (the nearest one to hand) and proceeded to do a slow and deliberate (double gasp!) outline.

It was when I was about to apply the first watercolour that I thought to look at the pen to see if it was waterproof. The pen shaft was mute on the subject. Oh well… My first dab of watercolour revealed the truth and the ink began to run enthusiastically. However, I have long been a fan of Sally Rippin’s beautiful ‘Fang Fang’s Chinese New Year’ that features profusely bleeding ink outlines so I continued on and  really enjoyed it. (I must ask Sally how she did this.)

I also liked the fact that the ink bled a deep purple colour, which has infused the whole picture with blackcurrant tones.

When I tried to invent a new breed of dog (a kind of Giant Pomeranian) to accompany my character, it didn’t work. But that’s another story. So my costumed lady was cut out from her page and collaged onto a new background. And I enjoyed that too, including the bright, undisguised cut edges remaining around her.

And lastly, Brain Pickings had a great post today on creativity and taking risks and it’s worth a read for any artist. Yaaay!