Tag Archives: self discovery

The Kick-About #125 ‘the Rorschach Test’ (part 2)

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Hello again. I’m not finished with ink blots for the Kick-About. And I‘m not finished with islands reflected in still water.

It’s not the first time I’ve gone down this road. I remember printing dozens and dozens of icebergs and islands for When You’re Older. In some illustrations I was conflicted because I liked the reflections on the water surface, but I was also enchanted by the creatures underneath the surface.

Question: How to have both in the one illustration?
Answer: Not easily.

But back to the current time! Yes, I did produce something new for this Kick-About prompt. The theme makes me think of (self) reflection, and it seems the world is full of people who see themselves in different ways.

Some don’t like what they see.
Some delight in it.
Some refuse to look at themselves at all.
Some see a version of themself that is invisible to others.
And the opposite is also true.

I sketched 12 small characters with dip pen and ink, to place into a scene of self reflection. Here are a few of them. (below)

Then I printed a few ink blots. A couple really do look like very interesting moths, (I’m not sure what that means about my personality type) and they are begging to be used as collage materials for something else. But they don’t suggest islands to me, so I used the more solid results.

This ink blot on yellow paper is so evocative of a rocky island, that it didn’t need my interference at all. And the yellow just added to the atmosphere. But I wanted to use at least one of my characters, so I added some mist, and background islands, and then put my character in.

I was quite pleased with the result, and I feel for this little creature having an identity crisis, all alone. Although the text is at a scale that would work best on a full page illustration, and is probably illegible at this size.

And then I played with a second character with no background at all. I think this funny little creature is a cousin of the legendary Narcissus, but if you flip the image upside down, you have the more universal experience of looking in a mirror.

The Kick-About #125 ‘the Rorschach Test’ (part 1)

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Most people are familiar with the Rorschach Test invented in 1921 by Hermann Rorschach. It‘s so often used as a gag in a cartoon or a sitcom that even youngsters get the general idea. It’s a psychological test, where a patient looks at the ink blot and describes what they see in it – often an animal, face or scene.

By Hermann Rorschach (died 1922)

But I wasn’t aware that Klecksography was a thing in the late 19th century. Making images from ink blots, it’s an activity that I often enjoy as a warm-up exercise for drawing, and to create new characters. I usually call it blob drawing, which isn’t nearly as fancy, but I suppose my blobs are a bit more blobby in shape than blotty, and they lack the symmetry too.

I thought this prompt was a great opportunity to join in the Kick-About again, because I already have some artwork to begin with, and it’s not my collection of blob drawings. It’s this illustration (below) from my upcoming picture book with Kyle Mewburn, Jo and the NO. In this illustration, Jo traverses ‘lakes as still as mirrors’. So creating background mountains and their reflections from Rorschach-style inkblots seemed like a good idea.

Here the NO in the back of the punt seems to be observing itself in the still waters because I wanted to suggest self reflection as well as the physical reflection of the scenery. You’d think it would be easy to whip up a few inkblots and plonk them into the image. But it was surprisingly hard to get from the successful rough illustration (below) to a successful final illustration.

The original sketch started as a thumbnail drawing, intended to share a double page spread with three other vignettes. But when we decided that the book was going to 40 pages this scene acquired a double page spread of its own with the impediment of the gutter down the middle of the illustration. So getting the balance of the illustration to work again in a different format was a challenge. The enlarged range of mountains and trees when loaded together on the page, very quickly distracted from and overwhelmed our protagonists, instead of highlighting them and giving significance to them.

Also I didn’t want my reflections to be perfect, because imperfect things are always more interesting and have more visual energy. But I found that if they were too interesting, they became distracting. So there was a lot of trial and error involved with recreating the transparent freshness of the rough sketch within a new framework.

Below are a few of the monotypes I produced to create islands and mountains for the background. I painted a loose shape, suggestive of an island with vegetation, and then folded the paper in half for the reflection.

Below are some of the more detailed experiments, testing out graphite instead of paint. These fell into the too distracting category. There are always countless illustrations made for a picture book (some of them very time consuming) that don’t make the final cut. But they may be interesting in their own right.

And I have to include the other hand-made element – a little collage boat made from Ingres paper and soft pastels. It’s so nice and wonky. One of my favourite bits.

For the final art, I did end up using a digital reflection for some elements, and those reflections did become ‘perfect’. But most of the tree reflections were drawn by hand and so they don’t perfectly match their right-side-up counterparts. (This brings about a nice effect used by landscape architects, where a repeating pattern with small variations is pleasing but never monotonous.) Embracing these inconsistencies was part of my journey of letting go of hard rules.

More on Rorschach ink blots in the next post. In the meantime, anyone who is interested in pre-ordering Jo and the NO, please click here or on the cover image below.