After the longest time!
Hi there. I’ve missed you. Work on Leonard Doesn’t Dance is going well. And I’m also working on another exciting project. A picture book by Sofie Laguna called When You’re Older. It’s a bit tricky working on two; just when I’m submerged deeply in one, I have to haul myself out by the scruff of the neck and focus on the other. But it’s fine, because both are lovely books.
Leonard and his pigeon friends are learning the can-can. I can’t do the can-can. (I might yet learn… A fake leg might be helpful.) But pigeons can can-can.
Here’s a small section of what I’m working on today. The background is in progress so the yellow area is sketched in. And all around what you see here are plants and other birds and a couple of beasts. But this is one of the white pages. The full colour pages look different.
Detail of the can-can page from Leonard Doesn’t Dance by Frances Watts
They look like this.
Detail from a full colour page as the sun sets in Leonard’s world.
I’m using a big mix of media in this book. I’m printmaking, painting, drawing, collaging and digitising. (I’m doing the same for When You’re Older, but with a different colour palette.)
The printmaking is the most fun part. There’s something so intoxicating about printmaking. When the outcome is uncertain, due to the variability of the process, you are always on the brink of something… and it could be wonderful. It could be a treasure. Those op-shoppers among you will understand the feeling as it’s rather similar.
The print below is saved to my computer with the ignominious title ‘Disappointing Flowers’. But once colour and collage treatment are added, it actually works very well.
This is a quick mock-up showing how the application of colour and a trim here and there, bring a disappointing print into a context that works. At least, for me. It’s not from the book.
A quick digital collage of my disappointing flowers to see if they rise to the challenge.
This one I was truly delighted with. It’s such a simple pattern, printed with a single block and roughly aligned. The roughness appeals to my deepest instincts in a way that nothing tidy or perfect can do. And the print has become a raw material like a delicious cheese that I might put into some cooking.
Rough, ready and rambunctious, this print appeals to me like a Staffordshire Bull Terrier.
And here are some of the inky painted areas I’m using. These too, will be barely recognisable when I’ve finished colouring and ornamenting them on the computer, but for me, the shapes produced with a brush have more animation than anything I can draw directly on the screen.
Inky tree shapes for Leonard Doesn’t Dance… Or maybe for When You’re Older.
Now it’s back to the page. Some ducks are calling for my attention.
Yes. I think some of them are Call Ducks.