Tag Archives: fairytale

Mini Masterpieces

Rachel — collage on vintage book board available to buy until 28 Nov 2025

Hello gentle readers. It’s been a while. I’ve just finished a book project, (more on that later) and I’m at the clearing up stage. Putting things to rights in the studio, starting to clear up the house, dipping my toe joyfully into the waters of recreational sewing.

I thought I’d reach out to make sure you’re aware of the IBBY fundraising auction that finishes tomorrow. You can browse all of the items for sale, here. They have been donated by Australian illustrators including me. If you’d like to contribute to this worthy cause, you will need to register to bid, (which is easy), and then go for it! Bidding closes tomorrow 28 November, at 9:00pm AEDT so you don’t have much time.

At the bottom of this post I’ve pasted in a little bit of information about IBBY, so that you can understand why IBBY might be on my radar. They’re all about young people, books for young people and supporting the creators of those books as well. But first, here’s a little background story about these rather unusual artworks.

Anyone who has been following this blog since the very beginning will know that when I started it, I was discovering the joys of altered book art. I was visiting used book fairs, collecting old books, some to read and some to cut up or draw in. After a few years, it seemed to me that altered book art was everywhere; everyone was doing it, and so it interested me less. The simple fact of a drawing being on a book page was not in itself interesting to me any more, although it had been a wonderful breakthrough for me when I was trying to find a medium, style and colour palette for Thunderstorm Dancing. (If you’re curious, go here.)

I still loved the subtle ways in which a drawing could respond to the text on the page, reinterpreting a few words, or taking an ironic look at the subject matter. And found poetry was and still is a delight to me. But I let it recede as my work went in different directions.

Later, I found myself irresistibly attracted to the cloth-covered book boards from vintage hardbound books. I began using them as substrates for drawings and paintings.

Collage has always been an important element in my work, both the paper and scissors kind, and the digital variety. In 2023, IBBY asked me to contribute a mini artwork for their Mini Masterpieces fundraiser and book boards were more or less the right scale. Some playful collages emerged. Below you see Mike, Maxine, Jennifer and Alan. They became my first Party Animals — characters who seemed so alive to me that they virtually wrote their own stories. If you’d like to read their accompanying microfiction stories I now have my Party Animals collected together on their own Instagram page https://www.instagram.com/judywatsoncollage/ and I’ll also add a page for them on this site in the coming weeks. As I make new Party Animals from time to time, they’ll be made available for sale there.

But now to the 2025 IBBY Party Animals!

Rachel and Trent

Trent — collage on vintage book board available to buy until 28 Nov 2025
Rachel — collage on vintage book board available to buy until 28 Nov 2025

These two followed their own stars. They look a little different from the 2023 partiers, but this time, they have been wrapped for travel with their own stories enclosed, so that you will know a little bit about them. I recently purchased a 1970s vintage typewriter, and I’ve been writing poetry on it, but I felt I wasn’t quite up to the challenge of typing their stories to the correct size and without a plethora of errors. Instead, I carefully chose a suitable typeface and printed their stories on good paper.

I also contributed three quick dip pen and ink sketches for the fundraiser. They’re based on reference photos of dogs and their owners that I took at a local pet day. You’ll see them here too. Below is the promised information about IBBY. If you’d like to support a wonderful organisation that supports children and the children’s literature community and if you’d like to purchase an original work of art from one of Australia’s book illustrators, then you can’t go wrong throwing in a bid for one of these artworks. Even if you don’t win the auction, you will bump up the price and help IBBY in the process. Good luck!

About IBBY Australia

IBBY Australia is one of 85 National sections of the International Board on Books for Young People (IBBY), and will be turning 60 in 2026.
IBBY is a non-profit organization which helps to build bridges to international understanding through children’s books. 
IBBY Australia submits authors and illustrators and their work for several IBBY administered international awards, including:
• the Hans Christian Andersen Award
• IBBY Honour Book List
• the Silent Books collection and
• the Outstanding Books for Young People with Disabilities list. 
You can read more about IBBY on this web site: https://www.ibby.org, and about IBBY Australia here: 
https://ibbyaustralia.wordpress.com
or join online here:
https://ibbyaustralia.wordpress.com/join-us/ – we welcome new members!

The Kick-About #125 ‘the Rorschach Test’ (part 3)

Hello again. Here is my last (I think) post in response to the Rorschach Test prompt from the Kick-About challenge hosted by Phil Gomm. This is my fully analogue response.

This inkblot looks EXACTLY like a lugubrious Long-nosed WhaleFish swimming across the surface of a lake carrying a weird, slightly menacing figure with a smaller figure on its lap.

It looks like that to you too, right?

So I tackled this one with Polychromos pencils and Posca pens. I really wanted it to be travelling left to right (English language picture book illustration is now in my bones), but when I was most of the way through, it looked better up the other way, mainly because of the colour in the water reflection.

I’ve refrained from ‘cleaning up’ the image in PhotoShop in order to remain true to its hand-made inkblottiness. All I did was dot a bit of white Posca pen to some of the more intrusively messy marks. So here it is.

Dogfish with Piebald Child riding a Long-nosed WhaleFish who is Really a Prince Under an Enchantment. If you want to rescue the prince, you’ll probably have to climb a mountain, wearing slippers made of prickly pears, and retrieve a plum from a magic tree that only fruits once every 50 years. Then come back and feed it to the fish… or something. I wish you luck. There’s no guarantee that he’ll be a nice prince when he is human again, so you’d better be on your toes, if you haven’t lost them to frostbite.

Below I’ve flipped the image so that you can compare it with the original ink blot.

The Kick-About #28

The Kick-about #28 takes a film by Howard Sooley, as a jumping off point. The subject of the film is Derek Jarman’s Prospect Cottage. I loved the film. It is beautifully peaceful. My image, a single one this time, is not very thrilling because it’s simply a rendition of Prospect Cottage, with the garden made even more minimalist, save for a few small creatures dotted about.

I’d love to do more but I haven’t time. However, this little exercise was a useful one for me, in that I was consciously dampening down my rather over-excitable palette, and also practising the careful placement of a few elements in a pared back landscape. Looking at it now, I can see that I haven’t gone far enough with either. But I’ll post it anyway.

And here is Howard Sooley’s lovely short film. Enjoy!

The Kick-About #26

Time Out! For the twenty-sixth Kick-About Phil Gomm, blogger extraordinaire is celebrating a year of kicking about with artists from around the world.

This fortnight, Phil is doing all the work. He’s assembling a collection of everyone’s favourite kick from our year long kick-about. I participated in less than half of them, so that shouldn’t really be hard, but I’ve travelled down several dark, overgrown roads and I am fond of all of them. Those places of the imagination that are dripping, have hooting noises, and a buzz in the background; where a soft-looking plant will feel unnaturally firm to the touch, or a solid-looking branch will crumple in on itself as you brush by, or turn to look at you and hiss. The light is curious; dim and yet saturating the environment with too much colour.

Below are some of the places I’ve visited over the last year, and though they are dark, there is life. Pulsing with energy. Brimming with potential.

The Girl, the Snake and the Cicada. Girl meets snake.
The Girl, the Snake and the Cicada. Girl meets snake in a full colour forest.
More creepy fairytale imagery: a grotesque fairy, possibly involved in a kidnap.
Part of the settlement at TRAPPIST-1e including some of the local flora and fauna
Metropolis – the Eternal Gardens – the first version, before the women turned into bird people.
Metropolis – the Eternal Gardens with bird people.

Phil, thanks for the kick-about. For some of us, making art is as natural as breathing, and sometimes almost as necessary to life. During a dark time in history, thanks for stimulating art prompts among creative friends, unfettered by constraints, rules or judgement. Freedom to make in any direction. It’s been a joy. And since you want one favourite, I’m selecting the last one. Those Bird Ladies. And I hope they sort themselves out soon and send that bureaucratic penguin back to Antarctica.

Lost Puppet Sketches

Didn’t I say I’d find the Three Billy Goats Gruff sketches somewhere unlikely? … I was wrong. They were on the floor, under a pile of papers and sketch books.

Here’s the page of goat sketches done when I briefly considered making puppets of the 3 Billy Goats Gruff for Clive Hicks-Jenkins’s Puppet Challenge. I liked the idea of using crumpled paper to twist into the horn shapes of these fellows. But first I had to remind myself of what makes a goat look like a goat. I didn’t spend very long at it. Just long enough to get to first base. Here’s first base.

billy goats page judywatsonart lores

A page of goats drawn in the car at soccer training. The middle-bottom one looks more like a Labradoodle I think.

goats 1 judywatsonart lores

Loose squiggles. Trying to get the ‘essential’ goat.

billygoat judywatsonart lores

Thinking about how nicely the horns would twist in damp brown paper…

3 billygoats judywatsonart lores

Thinking about how I would differentiate between Big, Middle and Littlest Billy Goats Gruff. Horns, eye position, nose length, beard. No 3. should have a very long beard, but as you can see in the top picture, he has been thwarted by the edge of the page.

troll puppet sketch judywatsonart lores

And of course a troll sketch to go with them. Only one.

If you like Billy Goats and graphic novels, you might like to visit Lucinda Gifford’s blog to see her great take on these characters.