Tag Archives: myth

Puppet Challenge… Weaselly Wolves and other unfinished creations

Weasely Ones

Weaselly Wolves – painted in 2013 for ‘One Word One Day’

Finding myself trying to make Greyfur too anatomically kangarooish was making my puppeting challenge hard. Indeed, my son asked me if the incomplete Greyfur face was a dog or a deer.

Other subjects I’d earlier considered making for the Puppet Challenge had included the following. All have been covered by other puppet challengers as it turns out.

The Big Bad Wolf

The Big Bad Wolf is a favourite topic of mine, as I’ve been a fan of Angela Carter’s writing for many years, but he’s not a local myth like Greyfur. I also find wolves pretty easy to draw because along with their doggishness is the fact that the BBW is now such an icon, that he is recognisable in any kind of shorthand format and is way above any kind of need for anatomical realism.

young wolf young wolves 10167981_483105751790707_574541033_n

Wolfish types (above), bearing little resemblance to Canis Lupus.

Puss in Boots

Puss is also not a local tradition. Angela Carter does a fabulous rendition of this fairy tale too. And as I seem to be obsessed with Cornish Rex cats at the moment, my Puss in Boots sketches were distinctly Cornish in flavour; black, big-eyed, big-eared, narrow-framed.

This one was for the 52-week Illustration challenge, but I was thinking about Puss in Boots for the puppet challenge at the time.

This one was for the 52-week Illustration challenge, but I was thinking about Puss in Boots for the puppet challenge at the time.

first sketch, always too naturalistic, but he almost captures the devil-may-care nonchalant cat personality I was going for.

first sketch, always too naturalistic, but he almost captures the devil-may-care nonchalant cat personality I was going for.

shadow puppet perhaps? I like the idea of the sail-like ears being semi-transparent and the rest being solid black card.

shadow puppet perhaps? I liked the idea of the sail-like ears being semi-transparent and the rest being solid black card.

a further attempt to get whole figure on the page!

a further attempt to get whole figure on the page!

marionette?

marionette? With Yarn body and wooden boots?

black yarn knitted or crocheted body?

black yarn knitted or crocheted body?

puss in boots 6

Back to the shadow puppet idea. I drew the shadow puppet ogre and the mouse that he turns into, foolish fellow. I also drew the king and had a couple of goes at the lad.

puss in boots 7

 

puss in boots 8

Troll with Billy Goats Gruff

We live by a creek with a bridge so this had some local relevance. And this was the first one that I considered using the crumpled paper for. I had it in my mind that the curling horns of the goats would look great if made out of crumpled and twisted paper. And I was intrigued about the challenge of making three goat characters and capturing the varying ages and personalities of the three (a theme I had a lot of fun with in The Middle Sheep by Frances Watts.)

Three goat siblings I drew for 'The Middle Sheep' by Frances Watts

Three goat siblings I drew for ‘The Middle Sheep’ by Frances Watts

I seem to have misplaced my puppet goat sketches. They’ll turn up somewhere unlikely one day…

Greyfur the Kangaroo

A couple more sketches I found while I was looking for the goats!

greyfur study 1lores greyfur study lores

 

So anyway… I went back to the wolves in the picture at the top of this post! These two rather weaselly looking wolves are plotting mischief together. Below are some photos of the fun and messy creative process the other night on my kitchen floor. The boys were having a fantastic time for much of the evening, playing with a sack full of puppets that I had tipped out onto the floor. Puppets really do inspire all sorts of creative play.

Two (Big, Bad) Wolf Brothers

starting point

starting point

eyeballs

eyeballs

one weaselly nose and some fingers with claws drying in front of the fan heater

one weaselly nose and some fingers with claws drying in front of the fan heater

three toes before strapping together to make a hand. I was careful this time to make the outside and inside fingers the right length.

three toes before strapping together to make a hand. I was careful this time to make the outside and inside fingers the right length.

strapping together to make a hand

strapping together to make a hand

adding a thumb

adding a thumb

two hands, one with a wrist

two hands, one with a wrist

two hands with wrists

two hands with wrists

positioning some eyeballs!

positioning some eyeballs!

adding eyelids

adding eyelids (with rough dots for pupils)

time for some teeth after the lower jaw added

time for some teeth after the lower jaw added

teeth side close2

I wanted the teeth to be very crooked and uneven

I wanted the teeth to be very crooked and uneven

both with eyes and with ears under way

both with eyes and with ears under way

All ears connected.

All ears connected. The Brains (left) has narrower eyes to make him look more sly. Brawn will have the lolling tongue.

Indian ink on crumpled paper. A very satisfying process

Indian ink on crumpled paper. A very satisfying process

Would you buy a used car from these two?

Black paint on. I may add more later.

This guy is just asking for a tongue now.

This guy is just asking for a tongue now.

would you buy a car from these two-2

tongue and teeth with some white added

tongue ready to attach. Teeth and eyes with some white added. Brains will have moving hands. Brawn will have a moving mouth. (This is probably rather counter-intuitive but there ya go!)

with tongue, painted mouth, bloodshot eyes and Granny's bonnet.

with tongue, painted mouth, bloodshot eyes and Granny’s bonnet.

Would you buy a used car from these two?

Would you buy a used car from these two?

This is where I had to stop. If I have time Brawn (Actually, I think his name is Willy) will get a nightdress slightly stained with blood on the front, and lacy sleeves from which will protrude his long, black claws over the bed clothes.

Brains (Hmmm… Ernest, perhaps, because he’s anything but earnest) will have working arms, but I’m not really happy with the high attachment I’ve started here. I think he’d be more impressive without such a distorted scale. I might give him long arms and move them with rods instead so that they can creep in from the side in a lurking sort of way. I think these two should look rather long and rangy like their original drawing, rather than dwarfed versions of themselves.

Weasely Ones

I’d love to add whiskers, but not sure where to get those twirly feathers from that people use on puppets. I could modify some of my chickens’ feathers I guess…  But I’ll have to leave these rascals for now.

 

 

 

 

Puppet Challenged

Hooray! I’m very excited to be participating in the Puppet Challenge, an on-line puppet exhibition scheduled for June 2014. Check out Clive Hicks-Jenkins’ Artlog to see some fabulous posts about puppetry and art. The theme for the puppet challenge is Folk tales, fairy tales, myths and legends. It has been suggested by Peter Slight (curator of the on-line exhibition) that we might like to consider local folk tales or mythology.

The topic ‘local folktales’ in Australia has a very different meaning from local folktales in Europe. Most white Australians of course share the European folktales via their ancestry, but the tales can no longer be called local. Black Australians have a rich array of tales and mythology, but it’s not my culture to intrude upon. So my mind tosses around two possibilities.

The first, find my theme around the topic of river crossings (such as the Three Billy Goats Gruff) because I live in Mordialloc, named after its creek. ‘The name Mordialloc is a corruption of two aboriginal words Murdi or Moordi and Yallock, the latter meaning creek or stream.’ (From the City of Kingston’s historical website).

Or the second, go with an Australian fairy tale. One of my favourite books is Alan Marshall’s fairy tale ‘Whispering in the Wind’ which features a bunyip in place of a dragon and a magical grey kangaroo with a bottomless pouch, so I am leaning in this direction. It offers a lot of possibilities. There is also a wonderful scene fairly early on in the book, featuring the hero and his horse meeting Greyfur the kangaroo for the first time, and it occurs on the banks of a creek, so perhaps this would be a good option… although the bunyip who appears later on is very tempting… He snorts water out of his nostrils, a trick he learned while at Dragon Training School with all the fire-breathing dragons.

Decision-making is not my strong point with regard to artistic pursuits. So many wonderful options, so little time! I’m wondering how I’ll go about deciding on a medium for my puppet, once I’ve decided on the character. Perhaps it will be determined by my limitations. I’ll rule out all forms of puppetry that are beyond my technical ability and what is left after that will be my medium!

Here is Whispering in the Wind by Alan Marshall.

Cover of 1969 hardback edition illustrated by Jack Newnham

Cover of 1969 hardback edition illustrated by Jack Newnham

Puppet Challenge at the Artlog

Puppet Challenge! Hooray!

Clive Hicks-Jenkins' Artlog:

Image

Hello Peter Slight here, curator of the Artlog Puppet exhibition with the details of the challenge!

As Clive mentioned in his introductory post, the theme is ‘Folktales, Fairy Tales, Myths and Legends’, a subject close to many of our hearts and hopefully one that will stir some interest and fire imaginations! You can choose a timeless classic, a little known gem or a half-forgotten fable. Inspiration will be the fuel that gets you through this challenge. Just choose whichever story you feel like conjuring up a character for in puppet form.

There’s no restriction on the materials or puppet type, as I would like contributors to be free to express themselves and their ideas in whichever ways they feel are best suited to the task. This challenge can be as simple or complicated as you care to make it. Hopefully we can bounce a few ideas off of each other…

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