Tag Archives: Frances Watts

Leonard Doesn’t Dance: A Bird of Character

In between racing around madly organising for our auction this coming Saturday, (I refrained from using hysterical capitalisation there. Did you notice?) I have REALLY enjoyed (emphatic, enthusiastic capitalisation) doing a few character sketches for Leonard.

Leonard is the main character for my upcoming picture book with Frances Watts, to be published by HarperCollins next year. Just to put you ever so quickly into the loop, Leonard started in my head as a little fellow with a disastrously swishy tail, inspired by our Australian Willy Wagtails, who swish their tails from side to side constantly.

Leonard Doesn't Dance

The colour sketch I drew for a spontaneous cover, the first day I received the manuscript

Leonard doodles2 judywatsonart lores

further tail wagging doodles drawn during a HarperCollins Author workshop

Then I found out that Frances had only one request: that Leonard be a bigger, galumphing kind of bird, and not a little tweety-bird type. So this sent me off in other directions and I did some galumphing doodles over a period of time while I was finishing Thunderstorm Dancing.

I continued with my doodles while I was travelling in Italy during April.

In the back of my mind there was a memory of a wonderful, lanky bird from Africa called the Secretary Bird. I looked him up and found him to be wonderfully elegant, wearing short black breeches to below the ‘knee’ and a fancy headdress (from which he got his name) and a wonderful set of wings for flying to bird parties.

His beak is quite different from the one I had imagined. I thought I might alter him to make him a unique bird bearing only a partial resemblance to the Secretary Bird. But as sketches continued, I found I enjoyed him very much, just the way he is.

Leonard

Leonard  1 Leonard  2 Leonard  3 Leonard  4 Leonard  5 Leonard  6

If he won’t work on the page for me with all those smaller birds, I may have to re-think him, but I am quite attached to him already.

More on this process soon, and I will tell you about the decisions about my medium.

Doodle Galumphers at the Swimming Pool

I’m not sure why my book projects seem to happen at the swimming pool. Pippa who modelled for Thunderstorm Dancing was at the pool, and many of the sketches I did at the pool while the boys were having swimming lessons fed into the book.

Here are some from that time, that have been posted before.

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drybrush sketches in the bombing zone of the local swimming pool. Ink on vintage book page.

Today I took the boys to the pool because it was pelting rain and they were stuck indoors. And there I happily began doodling for Leonard Doesn’t Dance, my new picture book project for HarperCollins, written by Frances Watts.

In truth, I set out to re-read the manuscript and ponder layouts, but I got as far as the first two lines and found I had to turn over the paper and doodle birds on the back. I think it was because Leonard was groaning. ‘Groaning’ is a very suggestive word. It conjures all sorts of pained expressions, and it wouldn’t wait.

Galumphing bird doodles judywatsonart lores

The first bird at the top is about to groan. Or has just groaned. He may have been groaning for some time. But after this, the others became more cheerful. I’m not worrying about style at the moment. Just going for Galumphing. That is my brief. It’s a brief brief.

It’s not hard to see the inspiration for these particular Galumphers.

Rose in the foreground... just in case the camera is edible.

Rose in the foreground… just in case the camera is edible.

Lily looking for something to step in

Lily looking for something to trip over

Here are Rose and Lily, the Terrible Pteranodon Twins (Araucanas) and Lily in particular, is the most impossibly clumsy bird you could ever meet. If you were to put a champagne glass in the middle of a football field and let Lily go and graze in that field, the first thing she would do would be to trip over the glass and spill the champagne. Here she looks like she is marching, but she is really galumphing.

My Leonard bird will, I hope, not be any species of bird in the real world. There will be plenty of those in the book, but Leonard I think may dispense with such restrictions.

In the next drawings I started to exaggerate the trousers on the bird, a thing that I’ve done before with my blob birds. It occurs to me now that if we choose to make Leonard a young bird person, his trousers might be shorts. These three fellows seem to be older bird persons.

Galumphing bird doodle2 judywatsonart lores

Here is a younger bird person wearing short trousers. And that is not a codpiece. (The bird tails might be tricky in some instances…)

Galumphing bird doodle 3 judywatsonart lores

And this drawing raises the question of whether Leonard ought to be more of a Bird Person, or a Person Bird. He will have to fly at one point, but he prefers cupcakes to cockroaches. He’s a multi-layered Bird Person. I’m sure there will be many more bird doodles in the coming weeks.

By the way, my advance copy of Thunderstorm Dancing arrived on my doorstep while we were at the pool. How appropriate, given that the rain had been bucketing down all day. We have all been looking through it with pleasure this evening. It is a very advance copy though. The book won’t be in the shops until April, I believe.

A Thundery book in the cloudy evening light.

A Thundery book in the cloudy evening light.

Big, Little and Middle Siblings

The Three Billy Goats Gruff reminded me of these illustrations I did for Frances Watts’ book The Middle Sheep. It was one of the books I most enjoyed illustrating. I’m not a middle animal, but I’m one of three siblings. Possibly not as cute as I should have been. Ha ha!

Here are some of the sibling animals who featured in the book.

Siblins snails: sensible big sibling snail, cute little sibling snail and poor, overlooked middle snail.

Sibling snails: sensible big sibling snail, cute little sibling snail and poor, overlooked middle snail.

sibling rabbits

sibling rabbits

sibling mice: some siblings are too disgustingly cute.

sibling mice: some siblings are too disgustingly cute.

sibling goldfish: it's not easy being the middle of seven sibling goldfish.

sibling goldfish: it’s not easy being the middle of seven sibling goldfish.

Maud's sensible big sister Doris

Maud’s sensible big sister Doris

Maud's cute little sister Mavis

Maud’s cute little sister Mavis (here pictured on Nanna Gail and Pa Ray’s front doorstep)

A Middle Sheep can get very frustrated

Here’s Maud, in a spat with Ernie. A Middle Sheep can get very frustrated.

Middle Animal Superhero Sidekick tryouts, run by Maud

Middle Animal Superhero Sidekick tryouts, run by Maud

Cover art for The Middle Sheep

Cover art for The Middle Sheep

The Middle Sheep is suitable for the six to nine-year-old age group (give or take a birthday) and can be purchased online here or here or ordered in by your favourite local bookseller.

 

 

 

Puppet Challenge… Weaselly Wolves and other unfinished creations

Weasely Ones

Weaselly Wolves – painted in 2013 for ‘One Word One Day’

Finding myself trying to make Greyfur too anatomically kangarooish was making my puppeting challenge hard. Indeed, my son asked me if the incomplete Greyfur face was a dog or a deer.

Other subjects I’d earlier considered making for the Puppet Challenge had included the following. All have been covered by other puppet challengers as it turns out.

The Big Bad Wolf

The Big Bad Wolf is a favourite topic of mine, as I’ve been a fan of Angela Carter’s writing for many years, but he’s not a local myth like Greyfur. I also find wolves pretty easy to draw because along with their doggishness is the fact that the BBW is now such an icon, that he is recognisable in any kind of shorthand format and is way above any kind of need for anatomical realism.

young wolf young wolves 10167981_483105751790707_574541033_n

Wolfish types (above), bearing little resemblance to Canis Lupus.

Puss in Boots

Puss is also not a local tradition. Angela Carter does a fabulous rendition of this fairy tale too. And as I seem to be obsessed with Cornish Rex cats at the moment, my Puss in Boots sketches were distinctly Cornish in flavour; black, big-eyed, big-eared, narrow-framed.

This one was for the 52-week Illustration challenge, but I was thinking about Puss in Boots for the puppet challenge at the time.

This one was for the 52-week Illustration challenge, but I was thinking about Puss in Boots for the puppet challenge at the time.

first sketch, always too naturalistic, but he almost captures the devil-may-care nonchalant cat personality I was going for.

first sketch, always too naturalistic, but he almost captures the devil-may-care nonchalant cat personality I was going for.

shadow puppet perhaps? I like the idea of the sail-like ears being semi-transparent and the rest being solid black card.

shadow puppet perhaps? I liked the idea of the sail-like ears being semi-transparent and the rest being solid black card.

a further attempt to get whole figure on the page!

a further attempt to get whole figure on the page!

marionette?

marionette? With Yarn body and wooden boots?

black yarn knitted or crocheted body?

black yarn knitted or crocheted body?

puss in boots 6

Back to the shadow puppet idea. I drew the shadow puppet ogre and the mouse that he turns into, foolish fellow. I also drew the king and had a couple of goes at the lad.

puss in boots 7

 

puss in boots 8

Troll with Billy Goats Gruff

We live by a creek with a bridge so this had some local relevance. And this was the first one that I considered using the crumpled paper for. I had it in my mind that the curling horns of the goats would look great if made out of crumpled and twisted paper. And I was intrigued about the challenge of making three goat characters and capturing the varying ages and personalities of the three (a theme I had a lot of fun with in The Middle Sheep by Frances Watts.)

Three goat siblings I drew for 'The Middle Sheep' by Frances Watts

Three goat siblings I drew for ‘The Middle Sheep’ by Frances Watts

I seem to have misplaced my puppet goat sketches. They’ll turn up somewhere unlikely one day…

Greyfur the Kangaroo

A couple more sketches I found while I was looking for the goats!

greyfur study 1lores greyfur study lores

 

So anyway… I went back to the wolves in the picture at the top of this post! These two rather weaselly looking wolves are plotting mischief together. Below are some photos of the fun and messy creative process the other night on my kitchen floor. The boys were having a fantastic time for much of the evening, playing with a sack full of puppets that I had tipped out onto the floor. Puppets really do inspire all sorts of creative play.

Two (Big, Bad) Wolf Brothers

starting point

starting point

eyeballs

eyeballs

one weaselly nose and some fingers with claws drying in front of the fan heater

one weaselly nose and some fingers with claws drying in front of the fan heater

three toes before strapping together to make a hand. I was careful this time to make the outside and inside fingers the right length.

three toes before strapping together to make a hand. I was careful this time to make the outside and inside fingers the right length.

strapping together to make a hand

strapping together to make a hand

adding a thumb

adding a thumb

two hands, one with a wrist

two hands, one with a wrist

two hands with wrists

two hands with wrists

positioning some eyeballs!

positioning some eyeballs!

adding eyelids

adding eyelids (with rough dots for pupils)

time for some teeth after the lower jaw added

time for some teeth after the lower jaw added

teeth side close2

I wanted the teeth to be very crooked and uneven

I wanted the teeth to be very crooked and uneven

both with eyes and with ears under way

both with eyes and with ears under way

All ears connected.

All ears connected. The Brains (left) has narrower eyes to make him look more sly. Brawn will have the lolling tongue.

Indian ink on crumpled paper. A very satisfying process

Indian ink on crumpled paper. A very satisfying process

Would you buy a used car from these two?

Black paint on. I may add more later.

This guy is just asking for a tongue now.

This guy is just asking for a tongue now.

would you buy a car from these two-2

tongue and teeth with some white added

tongue ready to attach. Teeth and eyes with some white added. Brains will have moving hands. Brawn will have a moving mouth. (This is probably rather counter-intuitive but there ya go!)

with tongue, painted mouth, bloodshot eyes and Granny's bonnet.

with tongue, painted mouth, bloodshot eyes and Granny’s bonnet.

Would you buy a used car from these two?

Would you buy a used car from these two?

This is where I had to stop. If I have time Brawn (Actually, I think his name is Willy) will get a nightdress slightly stained with blood on the front, and lacy sleeves from which will protrude his long, black claws over the bed clothes.

Brains (Hmmm… Ernest, perhaps, because he’s anything but earnest) will have working arms, but I’m not really happy with the high attachment I’ve started here. I think he’d be more impressive without such a distorted scale. I might give him long arms and move them with rods instead so that they can creep in from the side in a lurking sort of way. I think these two should look rather long and rangy like their original drawing, rather than dwarfed versions of themselves.

Weasely Ones

I’d love to add whiskers, but not sure where to get those twirly feathers from that people use on puppets. I could modify some of my chickens’ feathers I guess…  But I’ll have to leave these rascals for now.