Here’s a little peep into the book illustration process for Thunderstorm Dancing as roughs are edited on the fly while final art is being produced. For this spread, the Cat Called Thunder, needed to be inserted into the veranda scene, and I played around with various poses and movements until I found one that had the right character and jaunty expression.
…I realise Cornish Rex cats are not really characterised by jauntiness in the face of a thunderstorm. But this particular one is a Picture-Book-Cornish-Rex. And they are a specialised breed.
The problem was that the little fellow I liked is in full profile, and the illustration required him to be viewed partly from above. This can be a tricky adjustment to make (especially with drawings of people). But I usually give it a whirl by dotting in some rough suggestions of where the skeleton and joints might be, and take it from there. It puts the character into a three dimensional space in my mind.
Here’s what I came up with to shift the view point. And I was happy enough with that to move on to inking stage, and to add in any further detail during inking.
Looking at the skeleton above you will see that my shoulder joints were in the wrong spot, but as it happens it didn’t really affect the drawing. My made-up shoulders took a shortcut from the top of the scapula through to the elbow joint, skipping the humerus. (Very efficient, methinks;-)
Here’s the Cat Called Thunder redrawn in ink and in position against the un-inked veranda. I think he’s sufficiently jaunty for the most demanding of viewers, despite his overbite which would make orthodontists blanch.
Here’s Brian with a similar jaw. I think the overbite gives these two a bit of an ‘oops’ expression.