Tag Archives: illustration

Studies in blue

Today I have been working on the mid section of roughs for Leonard Doesn’t Dance. It’s a difficult time for poor Leonard.

As I was drawing, in search of the right feeling in his posture and expression, I thought it might be interesting to picture book enthusiasts to see some of the thought that go into each illustration. So here we go.

Leonard RHS studies lores

An A2 sized page of studies for a vignette on page 15. (8 scans later, boy do I wish I had an A2 sized scanner!) I have numbered my drawings in order in case you are interested to see the progression of ideas.

I’m not sure if you’ll be able to read my notes on the page. Leonard is feeling sorrow, resignation, defeat, regret, longing. Expressions I want to avoid include alarm, fear, guilt, anxiety or furtiveness.

Those who draw will know how a tiny variation in the curve of an eye or eyebrow, or the tilt of a head may change an intended sorrow into an accidental horror.

L sad 3

No.3. The heavy line at 10 o’clock on the eye gives the expression wretchedness. Otherwise the large, round eye looking backwards might have indicated a fear of pursuit.

 

L sad 4

No.4. This is my preferred facial expression. It says best what I think Leonard is feeling.

L sad 1.jpg

No. 1. The expression seems a mix between extreme mortification and horror, with a bit of disgust thrown in. The up-curving neck shows too much energy. I want Leonard to look a little defeated. 

L sad 6.jpg

No. 6 Although I like the body posture with raised wings, the face here is not quite as good as  that of No.4. The head tilt is less submissive, more head-butt. The crest is more raised, the eye less miserable.

L sad 2

No.2. Utter dejection with 1920s silent movie era eye makeup! Leonard is not even looking back, just downwards. I think I’d rather he looks wistfully backwards as it indicates a suppressed longing to join in. I don’t want our boy to be completely bereft of spirit. Poor lad.

Sometimes a thing like this can be positively excruciating if you can’t get it right. But today I enjoyed it. Leonard is  very accommodating.

In Leonard’s case, I have the eye to work with and also the caruncle (a patch of coloured skin) around his eye, which acts as an eyebrow or an underscore for the expression in his eye. And living with a flock of chickens has taught me what a sick or miserable chicken looks like; the hunch, the fluffed up feathers, and sometimes the dropped wings.

L dejected.jpg

But with Leonard’s crest I depart from the nature of birds. A fluffed up crest in the real world might indicate bird misery, but I’m using Leonard’s crest more in the way of ears like a dog, that drop when miserable, raise when interest is sparked. That is probably a language more readily identifiable to children, since more have dogs than chickens… in Australia at least.

So that covers the face. What about the body?

dejected posture.jpg

He’s retreating, so he’s best drawn partly from behind. The fluffed up hunched shoulders, I mentioned earlier. He should look clumsy, so I experimented with leg postures. He has just alighted so I need to suggest the flight just finished. And he’s walking away and downwards, so I have to suggest the forward downwards movement as well.

One challenge is the wings. Raised wings (6) could suggest a certain lifting of spirits. Spread wings look nicely clumsy (5) but tend to get in the way of the main subject (his lowered face). Lowered wings (2, 4) may be best for misery but are not so good for movement and flight. (In 2 he looks positively beaten. It’s a bit much.)

wings raised.jpg

Today as I was working on this, I once again remembered my fabulous school art teacher Cecily Osborn. I remember her explaining how artists can seek to depict movement in a motionless work of art. She used the ancient Greek sculpture of a discus thrower Discobolus by Myron as an example. The sculpture doesn’t depict any real life movement employed by an athlete whilst throwing a discus, but instead attempts to creatively suggest the movement that came before as well as hinting at the movement to follow the instant in time depicted by the sculpture. The sculptor borrows our imagination to evoke a movement that he can’t create in reality.

roman bronze reduction discus_thrower_Myron

A Roman bronze reduction of Myron’s discus thrower. The original artwork was made around 450BC.

“The potential energy expressed in this sculpture’s tightly wound pose, expressing the moment of stasis just before the release, is an example of the advancement of Classical sculpture from Archaic.” (says Wikipedia)

I’m very serious today, aren’t I? Do you think I am overthinking this?

I don’t think so. These thoughts take longer to describe than they do to think. All this and more goes through an illustrator’s head as he or she is drawing. And a lot of it is subconscious too. But it’s part of what makes the pictures work, it’s part of observing our world, and how the experiences of life feed into an artist’s work. I love that about my job.

But here are a couple of over-excited woodpeckers, because I wasn’t just drawing misery today.

Cheerio!

woodpecker black and white judywatsonartwoodpecker judywatsonart

Bird Immersion (2)

This is another quickie post. It’s all terribly busy around here.

Even the birds are looking a bit concerned.

call duck

I’ve often seen ‘Call Ducks’ advertised when I have been browsing the chickens-for-sale ads (as some of us do). I feel this may be what they look like.

 

worried galah

And this galah barely knows which way to turn.

light box in action

I’m still excited about my new light box. It’s much bigger than the trusty old one. It gets brighter or dimmer if you hold your finger on the power button! Sometimes I do that just for fun.

You may be able to see that one spread looks rather a lot like the (empty) stage of a theatre. It’s not a stage, but I quite like that it looks like one. And I like that I can sketch the characters freely on a separate sheet of paper over the top of the scene. I suppose this is what animators used to do all the time.

20-21 muso initial sketches

These are my first drumming bird sketches. It’s been interesting to work out how the bird might play the instrument and how much to simplify or modify the instruments from those in the real world. I liked the bounce in the woodpecker trio at top left but I came up with a much better drawing later. The first one I drew here was the duck and that drum looks most unstable. I’m not sure it’s even three dimensional!

I worked out a great plan (my 25th) for the cover of Leonard Doesn’t Dance in the shower the other day. I often draw Leonard covers on the shower screen. It is an important part of my process and one of the more literal interpretations of bird immersion. Luckily I have imprinted the idea almost perfectly on my brain, because when I went back to the bathroom to photograph the cover design, it had melted away….

That reminds me, I need to buy another back-up hard drive for my computer.

And lastly, for those of you who are interested in bird immersion in general, (you may be the kind who browse the chickens-for-sale ads) did you know that some chickens can swim? Go here to see the most gorgeous Buff Orpingtons in a swimming pool.

It should be added at this point, that we had to rescue Stella from the fish pond a few weeks ago as she fell in and did not seem to have the required flotation skills.

(Why does ‘floatation’ look wrong?)

 

Bird Immersion

Sorry I haven’t been around in Blog Land.

20-21 Leonard with 2 heads

 

Happily, this is mainly because I’ve been so busy drawing my roughs for Leonard, (and turning 50, and looking after an extra child because we have an overseas student staying with us at the moment).

I have to say, despite the fact that I’m multi-tasking like crazy (bad) Leonard is really fun (good!).

I can’t show you very much (bad). Many of the roughs describe the finished image. And this book, true to Frances Watts’ Style, will be brimming with humour (good!). So by showing you the full page roughs, I would be giving away all the gags (terribly, terribly bad).

But I can share with you bits and snippets and here-and-there touches.

chickens lightened.jpg

It’s interesting that the roughs have reverted to pencil, maybe my most natural medium. And this will pose its own challenges when it comes time to make the final art with broad paint strokes. The roughs began as large paintings, then switched to charcoal, and finally, to pencil.

singing

swingin Leonard

And something I’m excited about is my new light box! Wowsers! It’s so cool.

But I’m going to leave this and write more later.

I’m multi-tasking, remember?

 

 

 

 

Leonard dances on (part 2)

Having had a lot of fun with my digital collage and brushwork, I picked up the dip pen and filled my inkwell once more to explore Option One.

pen and ink crooner judywatsonart

Dip pen and ink with real wash. 

Having fuddled around with birds for some weeks, I felt warmed up. My drawing hand was in action again. I was feeling a bit racy. The big brushy birds were fairly cumbersome in terms of getting the dance action going, and I wanted to see how these birds might actually look dancing; particularly in pairs or groups.

So here’s where my trusty dip pen came in. I used the same one for the whole of Thunderstorm Dancing and I’m not sure what I’ll do when this particular ratty nib gives up the ghost. It’s pointy and twitchy and zippy and once the pen hand is warmed up, the quicker the drawing, the better.

In my first sketches, I referred to pictures of people dancing. The birds looked rather hilariously like people in bird costumes.

pen and ink crazy peoplebirds lores

pen and ink ridiculous birds

Seriously, what???!! Must be stuffy in those bird costumes…

pen and ink person to bird lores

Here you see me trying to figure out how to turn a human dance pose into the equivalent bird pose. Doesn’t work. The bird’s leg joints are so different that when forced into a corresponding pose, they become stiff and awkward. 

pen and ink john travolta lores

John Travolta? 

They were terrible. After that I put Fred and Ginger aside. Phooey! Better to just look at birds and make their gestures approximately dancelike. Despite my lack of dance expertise, I could put more of an expressive spin on a bird drawing without scrutinising a real dance move.

Then it became more fun. These birds were attending an imaginary ball. I gave them names. Just because.

pen and ink tiara

Spotted at the ball this evening – Miss Ophelia Oriole in yellow cape and tiara.

pen and ink orange pair

Melva and Gene Shufflebottom set the dance floor on fire this evening. Luckily, no one was hurt. (That’s from Thomas the Tank Engine. Some of you will recognise it.)

pen and ink blue green pair judywatsonart

Sparking rumours this evening at the ball, Adele Coiffe and Thomas Furle were inseparable on the dance floor. 

pen and ink cindermallard

A Mysterious Mallard wowed the guests at this evening’s festivities, but departed hurriedly at midnight, leaving behind a puddle of water. 

pen and ink crooner judywatsonart

A starling vocal performance was given this evening by Steve Brash, with backing vocals by the Fluffies. (not shown.)

Lastly, I spend about 40 minutes whipping up a page spread in this style to see how I’d go with drawing a crowd. It wasn’t so great, but it was good enough to act as a sample for discussions with the editorial team at Harper Collins.

pen and ink rough spread judywatsonart lores.jpg

This sketch is coloured digitally, so that I could get a quick idea of how it might look. It’s very rough, and fairly energetic. I like the energy. It reminded me of a picture I’d done for the Ernie and Maud series years ago. Particularly the duck in the middle, waving to a friend. (There was an excellent hot air ballooning duck in that story.)

Greatest Sheep in History judywatsonart lores

 

I’ll be interested to hear what treatment you would have chosen. But I have to say voting has closed and the team at Harper Collins voted unanimously for….

drum roll…

BRUSHY!

brushy green bird

Let the games begin!

pen and ink rats lores

Was it the shoes? Too much?

Leonard dances on

Well, enough of that frivolous sewerage stuff for now. Time to get back to Leonard because I’ve got some roughs to complete! (Sorry to those who were enjoying  my inexpert comics doodles. I’ll try to fill you in on the end of the story at some stage. Evil snigger.)

woodpecker colour flat

Option B. Read on…

Now where did we leave off? I think I was drawing finches in all sorts of styles.

After that, I drew a few more birds of other kinds… That’s rather offhand, isn’t it? I’m skipping over about 16 species without even excusing myself…

And then I spent a day or so researching and downloading images of various dances. I am much more familiar with birds than I am with dances. Seriously, you should see me try to dance. But what a great excuse to get a book about Fred Astaire and Ginger Rogers out of the library.

Then I spent a day drawing birds dancing, putting it together. And all the while my days and nights were filled with mullings and musings about medium. That’s just too much, right?

I am a person who could spend a long time making up my mind. So I wrote this shortlist.

shortlist worksheet

There was a third option but since it had a difficulty rating of 5/5 it soon dropped off. 

The fabulousness ratings are important for me because I don’t feel there’s any point in making a picture book if I don’t at least attempt to make it fabulous. But they’re hypothetical, and of course totally subjective.

So. Being me, I started with Option Two. 

Brush and wash with digital blocks of colour. 

I have to thank Clive Hicks-Jenkins for accidentally reminding me of the brush and wash option. He posted my bookplate blog post on his FaceBook page. And when I looked at the bookplate again, I remembered how much I had enjoyed painting that chicken with brush and ink and how the digital editing changed it into something I rather liked, with very simple blocks of flat colour over the painted image. It was easy to do and retained the painterly look, which many digital treatments do not. But it wasn’t something I had considered as a treatment for Leonard.

sepia chicken judywatsonart lores

This particular image would be rather dark and heavy in a picture book. But it’s really just the background that makes it heavy. With a different background treatment and a lot of white space, it could work. I had a vision with lots of white space but with some painted plants strategically placed, in paler tones than those of the birds.

With the chicken bookplate, I converted the original art to a sepia colour; still very inky looking. But I could make the brushwork any colour that harmonises with the overlaid colour blocks. Indeed each bird need not be treated the same way.

I made some quick mock-ups.

finch flap lores

unhappy secretary bird photo

brushy sketch

unhappy secretary bird test

brushy sketch with flat colour

 

several finches with flattened background 2 col copy

a digital collage with brushy finches, a woodpecker and digitally applied colour wash

These brushy bird paintings were large. Nearly A4 size for each individual bird, so I wondered if I might be able to work at a smaller scale using a pencil for details like eyes. And made this quick  sample. I think I prefer the brush alone, but it will depend how practical this giant size proves, when working on entire page compositions.

bluebird test judywatsonart

brush and pencil bluebird with digitally applied colour wash

And I made a few brushy background vegetation sketches. I could have a lot of fun with these, adding some colour and layering. We could go a little 1970s…

feathery tester loresfruity tester loresginkoish tester loresgrassy tester lores

flower tester levels loresjointed flower tester levels

I think that will have to do for tonight. Option One tomorrow!

 

 

 

 

 

 

Wet Weekend (part 2)

Here is part two. In the meantime, Leonard is progressing the background and I will write about that next.

Just so you know, I am not currently wearing pyjamas. (Clarifying. I am wearing clothes!)

my sunny wet weekend-2 loresjudywatsonart

Wet Weekend

Yes, last weekend was sublimely sunny. A perfect summer weekend. But here, our experience had rather a wet theme.

This was how it began.

my sunny wet weekend-1 loresjudywatsonart

 

To be continued…?

I will say this though. This morning started in a very similar way. Me in pyjamas answering a knocking at the front door. But this morning it was a school morning, I had slept through the alarm, and the kids were due to leave for school in 15 minutes.

Comics seemed the only way to express my feelings for the way our weekend went.