Tag Archives: watercolour

Leonard dances on (part 2)

Having had a lot of fun with my digital collage and brushwork, I picked up the dip pen and filled my inkwell once more to explore Option One.

pen and ink crooner judywatsonart

Dip pen and ink with real wash. 

Having fuddled around with birds for some weeks, I felt warmed up. My drawing hand was in action again. I was feeling a bit racy. The big brushy birds were fairly cumbersome in terms of getting the dance action going, and I wanted to see how these birds might actually look dancing; particularly in pairs or groups.

So here’s where my trusty dip pen came in. I used the same one for the whole of Thunderstorm Dancing and I’m not sure what I’ll do when this particular ratty nib gives up the ghost. It’s pointy and twitchy and zippy and once the pen hand is warmed up, the quicker the drawing, the better.

In my first sketches, I referred to pictures of people dancing. The birds looked rather hilariously like people in bird costumes.

pen and ink crazy peoplebirds lores

pen and ink ridiculous birds

Seriously, what???!! Must be stuffy in those bird costumes…

pen and ink person to bird lores

Here you see me trying to figure out how to turn a human dance pose into the equivalent bird pose. Doesn’t work. The bird’s leg joints are so different that when forced into a corresponding pose, they become stiff and awkward. 

pen and ink john travolta lores

John Travolta? 

They were terrible. After that I put Fred and Ginger aside. Phooey! Better to just look at birds and make their gestures approximately dancelike. Despite my lack of dance expertise, I could put more of an expressive spin on a bird drawing without scrutinising a real dance move.

Then it became more fun. These birds were attending an imaginary ball. I gave them names. Just because.

pen and ink tiara

Spotted at the ball this evening – Miss Ophelia Oriole in yellow cape and tiara.

pen and ink orange pair

Melva and Gene Shufflebottom set the dance floor on fire this evening. Luckily, no one was hurt. (That’s from Thomas the Tank Engine. Some of you will recognise it.)

pen and ink blue green pair judywatsonart

Sparking rumours this evening at the ball, Adele Coiffe and Thomas Furle were inseparable on the dance floor. 

pen and ink cindermallard

A Mysterious Mallard wowed the guests at this evening’s festivities, but departed hurriedly at midnight, leaving behind a puddle of water. 

pen and ink crooner judywatsonart

A starling vocal performance was given this evening by Steve Brash, with backing vocals by the Fluffies. (not shown.)

Lastly, I spend about 40 minutes whipping up a page spread in this style to see how I’d go with drawing a crowd. It wasn’t so great, but it was good enough to act as a sample for discussions with the editorial team at Harper Collins.

pen and ink rough spread judywatsonart lores.jpg

This sketch is coloured digitally, so that I could get a quick idea of how it might look. It’s very rough, and fairly energetic. I like the energy. It reminded me of a picture I’d done for the Ernie and Maud series years ago. Particularly the duck in the middle, waving to a friend. (There was an excellent hot air ballooning duck in that story.)

Greatest Sheep in History judywatsonart lores

 

I’ll be interested to hear what treatment you would have chosen. But I have to say voting has closed and the team at Harper Collins voted unanimously for….

drum roll…

BRUSHY!

brushy green bird

Let the games begin!

pen and ink rats lores

Was it the shoes? Too much?

Leonard dances on

Well, enough of that frivolous sewerage stuff for now. Time to get back to Leonard because I’ve got some roughs to complete! (Sorry to those who were enjoying  my inexpert comics doodles. I’ll try to fill you in on the end of the story at some stage. Evil snigger.)

woodpecker colour flat

Option B. Read on…

Now where did we leave off? I think I was drawing finches in all sorts of styles.

After that, I drew a few more birds of other kinds… That’s rather offhand, isn’t it? I’m skipping over about 16 species without even excusing myself…

And then I spent a day or so researching and downloading images of various dances. I am much more familiar with birds than I am with dances. Seriously, you should see me try to dance. But what a great excuse to get a book about Fred Astaire and Ginger Rogers out of the library.

Then I spent a day drawing birds dancing, putting it together. And all the while my days and nights were filled with mullings and musings about medium. That’s just too much, right?

I am a person who could spend a long time making up my mind. So I wrote this shortlist.

shortlist worksheet

There was a third option but since it had a difficulty rating of 5/5 it soon dropped off. 

The fabulousness ratings are important for me because I don’t feel there’s any point in making a picture book if I don’t at least attempt to make it fabulous. But they’re hypothetical, and of course totally subjective.

So. Being me, I started with Option Two. 

Brush and wash with digital blocks of colour. 

I have to thank Clive Hicks-Jenkins for accidentally reminding me of the brush and wash option. He posted my bookplate blog post on his FaceBook page. And when I looked at the bookplate again, I remembered how much I had enjoyed painting that chicken with brush and ink and how the digital editing changed it into something I rather liked, with very simple blocks of flat colour over the painted image. It was easy to do and retained the painterly look, which many digital treatments do not. But it wasn’t something I had considered as a treatment for Leonard.

sepia chicken judywatsonart lores

This particular image would be rather dark and heavy in a picture book. But it’s really just the background that makes it heavy. With a different background treatment and a lot of white space, it could work. I had a vision with lots of white space but with some painted plants strategically placed, in paler tones than those of the birds.

With the chicken bookplate, I converted the original art to a sepia colour; still very inky looking. But I could make the brushwork any colour that harmonises with the overlaid colour blocks. Indeed each bird need not be treated the same way.

I made some quick mock-ups.

finch flap lores

unhappy secretary bird photo

brushy sketch

unhappy secretary bird test

brushy sketch with flat colour

 

several finches with flattened background 2 col copy

a digital collage with brushy finches, a woodpecker and digitally applied colour wash

These brushy bird paintings were large. Nearly A4 size for each individual bird, so I wondered if I might be able to work at a smaller scale using a pencil for details like eyes. And made this quick  sample. I think I prefer the brush alone, but it will depend how practical this giant size proves, when working on entire page compositions.

bluebird test judywatsonart

brush and pencil bluebird with digitally applied colour wash

And I made a few brushy background vegetation sketches. I could have a lot of fun with these, adding some colour and layering. We could go a little 1970s…

feathery tester loresfruity tester loresginkoish tester loresgrassy tester lores

flower tester levels loresjointed flower tester levels

I think that will have to do for tonight. Option One tomorrow!

 

 

 

 

 

 

Midsummer Monotypes

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Bonneted girl in too many frills. (From a vintage cabinet card portrait photo)

Over the summer school holidays, I had the pleasure of pulling out all the monotype equipment, unused for many months, and taking it for an outing to the back garden of the new house. There is a space under the decking that’s perfect for fine weather art activities. The boys and I set up two trestle tables there and had a lovely afternoon of printing in the warm air.

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While the boys printed an assortment of monsters, animals and fancy lettering (most of which they remembered to reverse as they drew), I printed chickens, dogs and portraits of them drawing. They were mostly autonomous because they had printed before and are old enough to manage on their own, but my focus was divided between my own drawings and theirs, so I came back a few days later and had another go on my own.

Author Ann Martin had kindly posted me her collection of cabinet card photos after my last post on vintage clothing (here) and I decided to use these as the basis for my monotypes. I had also been admiring one of my favourite books Detour Art.

I LOVE that book, (one of my favourite Christmas presents ever!) and browsing through it again led me to look up and explore further the work of Thornton Dial Sr. who died only last month. You can see the video A Day With Thornton Dial Sr. here. 

Thornton Dial Senior

Thornton Dial’s work ranges between sculpture using found objects through to several dynamic painting styles. One of his loose drawing styles made me itch to print some monotypes and add either dry pastel or watercolour to them. I love the way his rapid line work dances with the limited colours he adds.

Below are some of Thornton Dial’s works that make my heart race!

As you will see, my own work is nothing like his whatsoever. As with most artistic adventures, the artwork takes on a life of its own, and mine were no exception. They were mostly drawn using a continuous single line, using a heavy crayon pressed firmly on the back of the paper. I was seeking a heavy line with bleed but also a loose line, and was mostly successful in this.

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Bearded man – first take. The original did not look as heavy as this darkened photo and I increased the pressure when drawing the subsequent images.

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Bearded man – second take. (These were drawn from the same photo, so you can see that I was not attempting to achieve a likeness.) This is the image that I was most pleased with. I have an irresistible urge to add an off yellow background and pink to his tie, so he may yet be ruined, but I have taken the precaution this morning of gluing him to a cardboard backing in order to prevent buckling when I take paint to him.

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This chap had a rather ridiculous face in the original photo. And my rendition made him possibly more ridiculous. But he does rather remind me of an idiotic version of Jude Law. (sorry Jude Law.)

After completing a few other prints, including the frilly little lass at the top of the post, I brought the prints indoors to dry so that I could add colour. I started with the first bearded man, because the outline was too weak to stand alone and I thought that by adding colour I’d either ruin it (and not mind) or redeem it.

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Actually, I did neither.

The paper buckled a little but not too much as it is a heavy weight paper. I solidified some of the outlines and I had an absolute ball throwing the colour on. But I’m not overly excited about him. And I didn’t leave enough white space for him to breathe. He may have been better on a white background.

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I then added colour to clown-like ‘Jude Law’. By golly it was fun to slosh the paint on a large piece of paper! I stopped after that. The girl would not benefit from colour and the other bearded man, being my favourite, deserved some thought and a backing board before proceeding, if at all.

I’ve now done the backing board, and I must decide his fate!

 

Some victims of ‘fancy dress’

As I’m on holidays for another couple of weeks, and I was doing some art in the garden with the kids this afternoon, I kept going and made a few tiny images for the start of this year’s 52 Week Illustration Challenge on Facebook.

Week 1 is Fancy Dress.

I went naturally to my cabinet card portrait collection where there are plenty of people in both fancy dresses and in ‘fancy dress’ in the sense of costume.  There I saw lots of kids who had been hauled, strapped, tied or stuffed into their best clothes for portraits; many of them looking dubious about the whole experience. So I thought I’d borrow their misery for a few little ink and wash drawings.

W1 fancy dress unwilling suit boy judywatsonart lores

A little boy in fancy dress, from a cabinet card portrait. It was hard to say if he was in his best clothes or in costume. The clothes are somewhat smart but also very oversized, especially the hat!

W1 fancy dress unwilling girl judywatsonart lores

A little girl who would rather be playing with her dog in the garden

W1 fancy dress - scottish judywatsonart lores

A little Scottish lad in fancy dress looking very miserable

Old World Monsters

I went away with some good friends in the September holidays for a long weekend, and began a range of art and craft projects which I promised to post here. I’ve been too busy until now to look at them further but now it’s Christmas holiday time, and I had a great time the other day, getting things out to play with in the studio! Hooray!

As part of my continuing fascination with vintage cabinet card portraits, I had drawn at  some children from old photos and added shadowy blob shapes of old world beasts and imaginary creatures into their formal poses. I hadn’t by any means fully thought out the ideas I was exploring, and I still haven’t. But I added some watercolour detail with a fine brush the other day and scanned them. So here they are.

I will probably do some more with this, and see where it goes. I think monsters take time to form properly. These are only partly menacing, and it’s unclear whether the children are aware of them or not. They may be allies, or the monsters may even be generated by the children themselves.

old world new world wolf boy JudyWatsonArt

old world new world hat JudyWatsonArtold world new world bench beast JudyWatsonArtold world new world chair and hat JudyWatsonArt

Leonard’s Friends

Leonard 6

As some will know, my current book project is a picture book by Frances Watts to be published next year by HarperCollins. Leonard Doesn’t Dance is the title, and it will feature a cast of feathered friends of many species.

Leonard and his friends have been forming on the page but I’ve yet to definitely decide on the medium that will best suit the book. As a way of exploring options, I’ve begun getting to know this list of species.

Magpies
Ducks
Pigeons / Doves
Rosellas
Galahs
Woodpeckers
Flamingos
Swans
Chickens
Turkeys
Quails
Bluebirds
Finches
Penguins
Puffins

First on the list, penguins. (Yes, I’m not even reliably back-to-front.)

Penguins come in several shapes and sizes and are attired in formal to smart casual. Their posture is generally upright, and they are fond of water sports. Some are tall and imposing. Some are small and wiry. Some are round, cuddly and ridiculously cute. Possibly too cute. (What kind of a kill-joy book illustrator am I? Too cute?)

penguin very first pencil sketch

A warm-up penguin. I liked to think I was channelling William Kentridge with my deft use of the eraser… but really, this is just a warm-up penguin. My eraser was employed in deftless ways.

penguin pencil and wash early 1

A second warm-up penguin. Sometimes the warm-up process temporarily takes one backwards.  (Watercolour and brush on smooth watercolour paper.)

the rather dull small fluffy penguin

See what I mean? (Noodler’s ink, watercolour and gouache on watercolour paper.)

the rather dull penguin

A half-warmed up penguin, using a soft pencil and watercolour. I need to bond with penguin feet. They are thick and sturdy and look like lumps of pink putty. These are not right. But I like the head.

penguin pencil and wash later

A tighter line. Testing the look of a more stylised shape. This penguin is quite athletic. I didn’t  realise that some penguins have rather long legs. Even if much of the leg appears to be inside their body. Rather like walking around inside a large pillowcase with your toes in the corners… Or not. I do like the watercolour over the textured pencil.

tighter penguin

A tighter outline again with an exaggerated shape. But still with a loose hatching technique. I don’t do tidy hatching. I associate it with things like ironing shirts. A useful skill that I don’t have the patience for.

penguin pencil sketch

Looser? Almost the same head. But loose and with added dance steps.

twin penguins

Looser with ink. I think this is a combination of the last two. Or three.

A question arising is the ink. This ink is water soluble. I often enjoy this, because it’s rather scrumptious to see the line dissolve under the watercolour brush to do unexpected things. I mostly like unexpected things. But would I like unexpected things to happen on my final artwork? Maybe not.

Also, it’s hard to lay clean colour over dissolving black ink. I will want some of my colours to be clean. I will have a try with water-fast ink later. But there are other ways around this. I could do the black part with water soluble ink and print out the illustrations onto fresh watercolour paper before adding colour. But all this can get rather complicated and size can become a limitation. There is much to ponder over the next few weeks.

I will share some finches with you soon.

 

Bookplates – just for fun (part 2)

So here are my two quick bookplate designs. Unlike Hugo, my preliminary work was limited to one doodle in blue pencil. I then progressed straight into ‘make it up as you go along’, my strongest medium.

bookplate prelimiinary doodle judywatsonart

Wanting to play quite loosely with patches of colour, I used watercolour without any particular structure or organisation. Then I added ink with brush and dip pen, acrylic (to cover up the bits I didn’t like on the wing) and went for it with some lettering. I left it scanning while I started on a second one.

Bookplate2 judywatsonart stage 1

The second one was only black ink and dip pen with lots of splodgy bits. I scanned it before adding more texture, to give myself a way of going back. undo. (Am I the only one who mentally presses Command Z when I miss a turn off in the car? It doesn’t work.)

Bookplate judywatsonart stage 1

Then I took it back to the drawing board and added some very important dots and scratchy bits. (Chickens scratch. It’s symbolic, right?) Then I scanned it again. (undo)

Bookplate judywatsonart stage 2

Then I took it back to the drawing board for some wash, and scanned it a third time. (Actually, I blow-dried it first, and then scanned it and found it was wobbly, and then put it in the book press for 2 hours while I drove to school and back and then scanned it again, but that’s probably too much detail.)

Bookplate judywatsonart stage 3

Then I took it into PhotoShop and added some colour. Although it may have been better in black and white, it was too much fun not to add colour. (This process involved lots of undos.)

Bookplate judywatsonart tonal chookie

Then I went back to my first chicken; all loose and free and doing her own arty-farty, happy thing. And I had to mess with her. Cramp her style.

I desaturated her, taking her back to a sepia tone, then added very limited digital colour. She squawked in protest, but I took no notice. I told her firmly, ‘less is more… sometimes… Not when it comes to eggs, you understand.’ She gave me that bright beady-eyed look and then we sent the bookplates off to print.

The other chicken had been asleep through the whole process.

sepia chicken judywatsonart lores