Tag Archives: textile art

Sewjourn (part 2) – Bird Mania

I doodled, sketched, painted and chopped many birds at Sewjourn. Here are a few.

The jacket was time consuming and almost took one full day in the studio (bearing in mind that the culinary arts are also a big part of our Sewjourn weekend, so there is a fairly lengthy lunch-break in the middle of the day).

Choosing projects is a big decision when the time is limited to 2 precious days. A big project can be satisfying but takes a big slab of the time. Doing many small projects is also very satisfying. The important thing for me is to make some decision, because staring in confusion at a list of projects is not at all satisfying!

The Doodle Birds were a quick little play and very small, but I also had a lovely time preparing for them, by embellishing book pages with a range of inks and paints to make the patterns for their plumage.

Apologies for the poor photographs. I was so focused on creating that I didn’t take the time to set up proper photos, and much was not photographed at all. In fact I didn’t even make it to the wonderful book shop on the Lancefield main street, and I usually love to support them and buy a few treats for myself or others while I am there.

collage doodle bird

Bird collage doodle

collage doodle birds

Bird collage doodles canoodle

jacket - painted bird

A white jacket I have been meaning to paint or deface in some way for over two years. Now well on its way with a back panel full of painted birds

jacket- painted bird 2

My favourite jacket bird. I like the simplicity of outline, form and colour.

 

Another little collage bird

Another little collage bird. Actually the creases are not obvious in the real thing. It doesn’t like to be squished in the scanner though.

Sewjourn weekend with the Refash Sistas

This is just a quick few lines upon my return from a lovely long weekend away with my arty crafty stitchy friends at Sewjourn.

I took a veritable mountain of materials with me, as did all the others. It’s hard to predict exactly what one will feel like working on, so it’s good to have options.

As it turned out, I didn’t use my sewing machine and my space remained largely strewn with wet painting materials. But I did do a quick collaboration with Juliet; a thing I have been wanting to do for about three years.

Her thread drawings, when in their first stages, consisting of black thread on linen, often have me positively itching to take ink and a paintbrush to them! Thankfully for Juliet, I am capable of some self restraint!

Given the time and space to finally give it a whirl, I drew a few quick birds on cotton (birds were my dominant theme for the weekend) and begged her to draw over one of them in thread for me, which she did. Here’s what happened.

soft pastel on cotton

soft pastel on cotton

Another soft pastel bird. We carried through with only one of the three that I drew, as Juliet had her own mountain of projects to work on.

Another soft pastel bird. We carried through with only one of the three that I drew, as Juliet had her own mountain of projects to work on.

Juliet selects a bird to work on

Juliet selects a bird to work on

Juliet stretches the fabric into an embroidery hoop.

Juliet stretches the fabric into an embroidery hoop

Juliet at the machine. An expert at work.

Juliet at the machine. An expert at work.

sewing bird6

Thread drawing process complete

Thread drawing process complete

It’s not surprising that Juliet’s thread drawings resonate with me, given my fascination with continuous line drawings. These are a stitched version of that very thing.

I threw on the black paint in a variety of ways. I varied the amount of water to see how it would react to the fabric, how the spreading would look and whether I could also get a dry brush effect. Unfortunately this photo is a little blurry.

I threw on the black paint in a variety of ways. I varied the amount of water to see how it would react to the fabric, how the spreading would look and whether I could get a dry brush effect. Unfortunately this photo is a little blurry.

I loved the way Juliet had treated the eye. It didn't want any paint at all.

I loved the way Juliet had treated the eye. It didn’t want any paint at all.

Initially I intended it to be a black and white creation. But I felt the urge to add some colour to the bird. I think this worked well.

Initially I intended it to be a black and white creation. But I felt the urge to add some colour to the bird. I think this worked well.

More on my other Sewjourn projects later.