Tag Archives: illustration

Blobs on a moving vehicle (again)

Another journey on the train to the city. More blobs. People at the moment.

Scanning is too time consuming at present, so here we have quick photos of the two pages. Colouring will come bit by bit. Apologies for the low quality.

For tonight, a coloured threesome. I like the girl journeying in the snow best. I will have to think on her story and add it later.

It’s interesting how this process has slowed down my hand to a more deliberate, less impulsive sort of line. And yet, because of the random blob shapes that form the starting point, the figures seem to retain a little of their energy.

Bird Doodles during HarperCollins Author Workshop

4 Replies

I like to think I was being wonderfully efficient with my time last Friday afternoon at the HarperCollins Author Workshop Day. (Lordy!) After doing the blobs on the train going to the event, I doodled on with these birds during the presentations as well as taking notes!

I’m not sure I needed to take so many notes, but the doodles were a continuation of some character development for a HarperCollins picture book I will be working on over this coming summer. So that seems quite appropriate really.

The bird will sort himself out without too much trouble, because he’s kind of there in spirit already, even though his appearance does morph quite a lot. But what I’m interested in particularly is how to depict the legs, making them as versatile as possible for doing all sorts of things that birds don’t generally do in the common suburban back yard (like dancing the polka), and not getting bogged down by actual bird anatomy, whilst also not offending my own sense of birdishness by having ‘knees’ facing the wrong way or anything.

I can’t seem to help that. My dad is a vet. Sometimes I look up the skeletons of the animals I am drawing.

I do want this particular bird to have big feet if possible. There’s a reason. But I don’t want them to hamper the drawings either. So I will be playing around with options and we’ll see where we get to. In this second page, you see me having the wild idea of fat legs!

I’m not sure if this could work in moderation, or whether it might offend my aforementioned sense of birdishness…

Experiments with Blobs in a Moving Vehicle (part 2)

8 Replies

This is the second page of blobs that I worked on in the train last Friday. In this case, I was deliberately turning them all into dogs. I think that if I draw enough blob dogs, one of them will begin to emerge as a repeating character who could star in his own world. The nature of blobs is that none do exactly repeat themselves… they are new and special in their own blobby way, but there are recognisable types and that is enough for my purposes.

Only about half of the blobs on this page were in a state worth posting. Two were accidentally sacrificed on the McCrae Beach on Saturday as I tried to colour them with borrowed art materials and sea water. The results were worse than you are imagining now.

Yes, they were.

As far as repeating types go, one thing is apparent already. I have a fondness for whiskers.

This is Angelina the Bearded Lady. (Miniature Schnauzer) She has been looking for circus work for a while, but so far has only been offered work as a rat catcher.

This is Hamish. (Border Terrier x Dandie Dinmont Terrier) Hamish is going to let the chickens out on a blustery spring morning. He never chases them, because he knows they don’t like it. HIs favourite hen is a Light Sussex named Leonora Carrington.

This is Toby. (mostly Foxhound but his great grandmother was a Poodle) He’s a country dog. He left the foxhound pack when the others made fun of his moustache. Now he wanders the hedgerows and picks up a bit of work here and there. He is courteous to passing foxes, and they are sometimes courteous to him.

This is Theo. (Wire-haired Fox Terrier) Theo is in a hurry to pull on his coat as he has to pick up the kids from puppy school. There are 14 in the litter so he is taking a truck.

This is Gabriel. (Soft-coated Wheaten Terrier x English Pointer) Gabriel runs a delicatessen, and is renowned locally for his skill with making tarts. Once a fortnight he goes fishing and takes a picnic lunch with him which is made by his partner Phil. He enjoys taking a little time off cooking on those days. But if he catches a fish, he returns home with renewed vigour and invents a new fish dish every time. All of them are simply delicious.

This is Phil. (Irish Water Spaniel) Phil lives with Gabriel and is an indifferent cook as he gets very little practice. However he is a keen gardener and drives a lorry during the week. He’s also a bird fancier, but sometimes when he is watching birds too closely he has an irresistible urge to yap, which he finds mortifying.

This is Madison. (Cavalier King Charles Spaniel x Cardigan Welsh Corgi) Madison lost her tail in an accident when she was only 3 months old, but she is wagging on the inside.

This is Adrian (Scottish Terrier) Adrian loves listening to Jazz FM on his new radio and has been known to bite the vet.

This is Jean-Paul. (Irish Wolfhound x Cairn Terrier. His parents separated due to irreconcilable differences.) You needn’t be alarmed for Jean-Paul because he is demonstrating for 25 young pups at puppy swim school, and is not really in any danger as long as he stays in the water.

This is one of the puppies at Swim School. I can’t remember his name. He has just smelled a fart and is checking to see if it is his.

The Bird Lover

4 Replies

Okay, this post came down. Now it’s going up again because I hear some people have linked to it. Sorry about that. Decided I wasn’t keen on it. But here it is again. Have posted plenty of warts-and-all experimental doodles before now, so why not this one?

Strange little doodle fellow with a Tove Jansson Groke nose…

For my bird loving Mum. (I know your nose doesn’t look like this, Mum.)

Furthermore… (in for a penny, in for a pound) here’s the earlier version of this pic. Which I decided was too dark. But it has a different, more raw and slightly spooky quality. Kids could have a go at something similar to this combining scraper board techniques with collage.

The writing/drawing process July 2014

At the start of the school holidays, I was invited by artist Rosalie Street to participate in a blog tour… which means answering some questions (below) and getting some other people to do the same next.

Here is Rosalie’s interview response. A visit to her blog to enjoy her lush canvases and delightful merchandise is well worth your while.

Gold Leaf – by Rosalie Street

The blog tour topic is The Writing/ Drawing Process. Since as yet, I have found little time to work on my writing projects and instead have been madly drawing, I’ll answer the questions in the context of my artwork.

The first bit (the questions)

1. What am I working on ?

Thunderstorm Dancing, a picture book by Katrina Germein

At the moment I am in the late stages of final art for a picture book by Katrina Germein to be published by Allen & Unwin. The book is called Thunderstorm Dancing and it has been over two years since I first starting mulling over the project.

As soon as I read the manuscript, I thought it would be both a great text and a very difficult text to illustrate. It has indeed proven difficult for me, but I also realise that I suffered from the internal pressure that comes from winning an award; this will be the first of my work to be published since that award and my inner self told me very sternly that it will have to be good. But I now move towards the completion of the book and I’m looking forward to seeing it in print.

An unused sketch for ‘Thunderstorm Dancing’

There have been many sketches made for this book. A decision on medium was elusive for a while. But it came along in the end, and I’ve really enjoyed the layering and scratching in PhotoShop combined with the earthy texture of the real paint and pencil on Litho paper.

A small fragment of one final illustration from Thunderstorm Dancing

Altered book art

Last year, while struggling to progress with the picture book, I almost accidentally began sketching in old books as a form of relaxation. I say almost accidentally, because I have admired altered book art and found poetry for quite some time, and had always intended to try it. But starting was not a deliberate step into something new. It was a gentle bit of play, while watching my children in their swimming lessons.

drybrush sketches in the bombing zone of the local swimming pool. Ink on vintage book page.

I began sketching them and other children. And I really loved the effect of the drawn image on the printed page. It also helped me with Thunderstorm Dancing, because I had decided early on that the family in the story would be at a beach house, and the main characters all in swimming cosies.

Altered book art continues to be one of my favourite activities, and I intend to do much more of it, and to explore new ways of using it in art projects.

52 Week Illustration Challenge

The 52 Week Illustration Challenge, dreamed up by Tania McCartney, was something I joined early this year. It requires participants to produce artwork to a given theme that changes each Wednesday, and then post them on the 52 Week Illustration Challenge FaceBook page.

52 Week Illustration Challenge: Week 14: simplicity.
This was a really enjoyable experiment with ink and watercolour

One of the things I loved about it was that the community of people involved were from varied backgrounds and were supportive and kind to one another. Since early this year the group has grown to over 2000 members, many being expert practising artists and the standard of work has I think, sadly frightened many of the less skilled artists away, but the mood of generosity remains. And it is surprisingly good to have a theme to work to each week… often themes that I find very unappealing until they lead me off into some fun experimentation.

I have deliberately kept this challenge as a low-profile task for myself. I never spend long on anything I do for The Challenge and never worry too much if the work is imperfect or not my best. This, along with blogging imperfect work, has been a really healthy learning experience, and a great way to keep producing lots of other work and exploring as an artist, as well as doing my book project.

Clive Hicks-Jenkins’ Puppet Challenge

This is an on-line exhibition organised and curated by Clive Hick-Jenkins along with Peter Slight. I’ve not done so well with this one. In contrast to the other challenge, I have allowed this to become larger than life and daunting. I also failed to come to a decision over subject and medium, although my lightbulb moment came today in the shower (they often do happen there) when I may be too late to make it. So I’m not sure if that counts as something I’m working on or not…

Appropriately perplexed looking sketch of Greyfur the kangaroo who was my original subject matter for the puppet challenge

Graphic design work

Periodically I take up graphic design work if it is not too time consuming. I enjoy this work very much, but too often lately I have had to decline offers of work due to the unfinished book and lack of time. Some of my favourite work is with the Australian Children’s Laureate support team who produce various publications and branding items every now and then. In this context I enjoy using other artists’ work and modifying it to use as part of a design. Ann James drew the magpie who became the Australian Children’s Laureate logo and I have used him in lots of ways.

The Australian Children’s Laureate logo in one of its formats

School children from around Australia made artwork that I used in silhouette for the pitch for Boori Monty Pryor’s Storykeepers documentary.

storykeeprs sample page2 storykeeprs sample page3

Family life

This project of course doesn’t belong down the bottom here. It’s a very big part of my life – too big to summarise here. So I’ll simply say that I keep myself busy with two much loved youngsters Arthur and Hugo, husband Scott, the dog Dexter and chickens Hilda, Emily, Poppy, Storm, Stella and Vita.

Vita – Queen of the Backyard

My own writing projects

This gets a wee mention at the bottom. In fact there are several projects I’m very keen to get on to, that are waiting in line for me to find a bit of space and time. I look forward to launching into them.

2. How does my work differ from others of this genre/ style?

Watch this space

3. Why do I draw/ paint what I do ?

Watch this space too

4. How does my drawing process work ?

Hmmmm…

I have taken waaaay too long answering the first question, so I’m going to split this up and post my answer to the other questions later. Cheerio for now!

Week 27: Snow (experiments with blobs part 6)

1 Reply

These first two are grey blobs with red crayons scribbles in the middle of them. I have found they are harder to turn into things. The red crayon scribble is quite distracting! Who would have thought?

Blue Booby Baby Blob Bird Playing in the Snow.

Ink, red crayon, felt tip, watercolour, white acrylic, digital layering.

Old Dog in the Snow.

Also ink, red crayon, felt tip, watercolour, white acrylic, digital layering.

Search and Rescue Dog in the Snow.

This one has no digital layering. Thought I’d see what the white acrylic paint could do with the snow all by itself. I also skipped the red crayon scribble. Instead, this time I did a grey ink background wash with a red watercolour blob in the middle The red watercolour blob was what suggested the shape of the dog character and the rest followed from there.

I didn’t think I’d come up with anything for the ‘snow’ theme actually. It isn’t something I have much experience with. But blobs are a good way to start when you don’t know where to start. Then, just add some warm winter woollies and snow.

Cloudy Days in Melbourne

4 Replies

Winter has finally arrived in Melbourne. And the 52 Week Illustration Challenge theme is clouds.

I didn’t have to do anything extra for the Challenge this week really. I am working with clouds all the time for Thunderstorm Dancing, and although I can’t post an entire image until the book is published, I did post a fragment of the spread I was working on, which features approaching storm clouds (below). Froth, spatter, roar and hum.

This spread was finished until my Beloved told me that the veranda perspective needed alteration… the same veranda that the Cat Called Thunder is trotting across. So I will finish it (again) today.

I’m not saying I relate to that cranky terrier up the top. Not at all. Nope. And I do appreciate the help with perspective.

I did find myself wandering off to do cloud blob doodles to cheer myself up though.

big and little cloud monsters lores

Monster cloud blobs…

Wolf cloud blobs, crossing raging rapids…

Bird cloud blobs… one of whom just might possibly be a vulture cloud blob… (Should that be who or whom?)

And lastly this rather bizarre Cloud Blob Doodle which in fact I had done a week or two ago as a variation on the blob improvisation idea. Wherever that photo was taken, it wasn’t Melbourne this week.

Putting Thunder Cats into Perspective

2 Replies

Here’s a little peep into the book illustration process for Thunderstorm Dancing as roughs are edited on the fly while final art is being produced. For this spread, the Cat Called Thunder, needed to be inserted into the veranda scene, and I played around with various poses and movements until I found one that had the right character and jaunty expression.

…I realise Cornish Rex cats are not really characterised by jauntiness in the face of a thunderstorm. But this particular one is a Picture-Book-Cornish-Rex. And they are a specialised breed.

The problem was that the little fellow I liked is in full profile, and the illustration required him to be viewed partly from above. This can be a tricky adjustment to make (especially with drawings of people). But I usually give it a whirl by dotting in some rough suggestions of where the skeleton and joints might be, and take it from there. It puts the character into a three dimensional space in my mind.

My improvised sketch to alter the viewer's angle of Thunder and my guesses at the location of the joints. I was wrong about the shoulder as I found out later.

My improvised sketch to alter the viewer’s angle of the Cat Called Thunder and my guesses at the location of the joints. I was wrong about the shoulder as I found out later.

Here’s what I came up with to shift the view point. And I was happy enough with that to move on to inking stage, and to add in any further detail during inking.

A cat skeleton showing the position of the shoulder joint at the front of the cat, rather than up around the area we would call the ‘withers’ in a horse.

Looking at the skeleton above you will see that my shoulder joints were in the wrong spot, but as it happens it didn’t really affect the drawing. My made-up shoulders took a shortcut from the top of the scapula through to the elbow joint, skipping the humerus. (Very efficient, methinks;-)

The Cat Called Thunder struts across the decking as the storm approaches.

The Cat Called Thunder trots across the decking as the storm approaches.

Here’s the Cat Called Thunder redrawn in ink and in position against the un-inked veranda. I think he’s sufficiently jaunty for the most demanding of viewers, despite his overbite which would make orthodontists blanch.

Brian, the greyhound with an overbite

Here’s Brian with a similar jaw. I think the overbite gives these two a bit of an ‘oops’ expression.

Judy Watson

author illustrator artist

Tag Archives: illustration

Blobs on a moving vehicle (again)

Bird Doodles during HarperCollins Author Workshop

Experiments with Blobs in a Moving Vehicle (part 2)

The Bird Lover

The writing/drawing process July 2014

At the start of the school holidays, I was invited by artist Rosalie Street to participate in a blog tour… which means answering some questions (below) and getting some other people to do the same next.